 |
« Created, directed, and edited by two of the most talented
independent Latino filmmakers in Canada, Juana’s Grammar is an ambitious exploration of diasporic identity that literally puts the body of a new generation of women in this country on the cross-cultural epistemological battlefront. Structurally complex, technically daring, and with a wide emotional range, Awad and Lozano’s striking experimental short draws freely upon a variety of global art traditions: from Chico Buarque’s Brazilian compositions to Frida Kahlo’s sketches to Heiner Müller’s 'Hamletmachine', without losing sight of their immediate social, political and cultural contexts. » – Elena Feder for Argos. Festival, Brussels- Belgium 2003. |
||||||||
 |
|||||||||
 |
|||||||||
 |
|||||||||
 |
|||||||||
 |
|||||||||
|
A-072
JUANA'S GRAMMAR Juana Awad, Jorge Lozano Experimental, Canada, 2003, 6 min, Colour |
 |
||||||||
 |
|||||||||
 |
|||||||||
 |
|||||||||
 |
|||||||||
 |
|||||||||
 |
 |
||||||||